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Can we report on the work?

Because I am sensitive to the problems of Archivists, before yesterday I participated in the contest launched by Archives Online . It was propose a picture of the transformations of business archivists. I could not help but make a brief comment on the sociology of work . Just to say, it becomes increasingly difficult to account for what the workers at a time when, increasingly, the activities become homogeneous one profession to another. I take it down there.

This photo, taken from The Simpsons, illustrates perfectly the image archivists still commonly attached to a stigma with which the profession has not finished fighting. And, paradoxically perhaps, developments in the art will not change a thing, quite the contrary. For this reason, representation of the archivist as someone who works in the dust and waste paper is so powerful? Not only because of the many representations that may have currency in the media and elsewhere, but mainly because it is easily describable and understandable. From the outside, archivists look increasingly to other professions: they participate in meetings, are installed in front of computers where they handle software austere, they "manage to information, "discuss" skills "organized" systems "... Nothing that is not very clear to the layman: the content of their work has become difficult to explain and just say, it became difficult to make account. While that which manipulates large scrolls or texts in Latin, from the outside, doing something more specific, clearer, more easy to classify: it is clear what differentiates it from other workers. That is probably why the image of the archivist will remain much longer this one, as the teacher who professes to remain a silent audience, the sales person who tries to refourguer a product, the policeman who runs after the thief ... whatever the actual content of their activities. Clichés die hard!

be added in addition that this situation has implications for new entrants to the labor market. It is very difficult today to explain to a high school student what may be the content of this or that profession. During the class council in my school, career plans involve the most common occupations often well identified: one wants to be a lawyer, social worker, nurse, etc.. Professions where one can "see" what people are doing. It is much harder to get students to consider more traditional business enterprises - except perhaps "commercial" is often chosen by boys interested in compensation and convinced that they are "able to sell" everything and anything. This probably stems from the simple fact that it is difficult for a college student to understand what these gentlemen are serious about their computers ...

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Tribute irrelevant

sociological No comment today, but a tribute. There are two great men who taught me humor, or rather reminded me one day "we have the right to do that?". One is Terry Pratchett: discovered about 12 years, one can imagine the shock of discovering that one can write the blocks that make you laugh and where you can pretty much afford (ook). The other died today. It looked like a serious guy, but did absolutely anything on TV and in movies. There was a bit of Chaplin in the way he played incessantly and played the same character with any situation to do anything completely. Leslie Nielsen is no more. And cinema is suddenly less funny.

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Day vs. skirt. Sexualization of women: a bad happening? The Free

For what I understood, Thursday, November 25, 2010 was the day of the skirt. Initiative to scale a high school resume and popularized by a movie I have not had the courage to see (sorry in advance m'insupporte Adjani), the principle is simple: we invite women to put on a skirt to protest against sexist behavior. Media immediate sympathy, supported by Ni putes, ni soumises association which had also received a prompt political and media dubbing, it was finally happening rather eclipsed the issue of violence against women to which this day was meant to educate everyone . Maybe it was a bad choice unless the floor is the form of the message it must be questioned.

By using what is ultimately a pretty happening politics - all the more successful it can do much ink to flow without being particularly on field monitoring (this post is proof ...) - the instigators of this "Skirt Day" have done more than simply draw media attention to the issue of Violence against women: they have helped build this in a particular direction. If we follow this mobilization, the problems encountered by women today was defined mainly in not being able to appear as women in public space without suffering violence varied.

Let's be clear: I will not deny that such violence exists ( testimony of a blog that I want ), I will not deny that women suffer, I will not even discuss the idea it is indeed of violence - because it is. I'll just say that this problem is poorly analyzed, because it is not taken root.

By focusing the debate on the wearing of a skirt, taken as a "militant act," we present things as if the central problem was that the unveiling of the female body. The central demand is for women, you can view their bodies. It is good to display it: we simply do not discuss matters of comfort, some have emphasized that there was still something ironic and organize a day of the skirt end of November. The problem is those who want to hide the bodies of women.

But if women show their bodies by wearing a skirt, they are provided free or paid? We want to hide or show it on the contrary, the female body is seen in both cases the same way: as sexualized. I say "sexualized" and not "sexual", that is to say, not identified with one sex, but subject to sexual desire. If some want to hide the body, precisely because they are thought of as sexual. If they are shown as such, then we do not solve the problem, we only increase it. Or wear a skirt can not claim to be a political act of "de-sexualization" enough.

Let me be clear: I am not saying that women should not wear skirts, even less than who do "deserve" in any way the pressures and unpleasant remarks which may be addressed. The problem is not just in clothing but in the look that you wear - it is interesting to note that one wears a garment while it supports a glance ... This is not to say that women should never be "sexy." They simply may not have to be all the time - for example not to their place of work - nor anyone - for example by a stranger on the street. Like the men in fact, which do not necessarily want to be seen constantly as objects of desire.

Some will say without doubt that the purpose of this day of the skirt is just to claim for women the right to wear a skirt without being subjected to stares and lewd behavior. But, to paraphrase another, "the context is stronger than the concept." This can not happening anytime. Before him, there was the "scandal-bangs", there was media coverage of several cases of sexist violence in the suburbs relayed with treatment not always immune from criticism by the media, there is all the action of Ni whores nor submissive who has been to confine the issue of feminism to the suburbs, there was the whole wave of criticism vis-à-vis Islam. All this weighs on the meaning to be given and accepted at this day. In this context, it can only help to say that the essential problem of feminism is that of the suburbs and Islam, and that of the sexual freedom of women. The skirt against the burqa, free sexuality as enforced abstinence and virginity before marriage: it is how we have constructed the problem in France.

And in that context, the day of the skirt is unlikely to be understood as a claim of de-sexualisation of the gaze focused on the woman. Instead, all that has preceded has been to try to abandon this issue the sexualization of women's bodies, to withdraw from the political agenda of feminism mass.

You might think it's because this question is more difficult, more complex and less able to mobilize. It is simply false. American feminists - who maintain, it seems, a much stronger link with social sciences than the French, which probably explains a lot of things - mobilize strongly on this issue of the sexualization of women's bodies and even girls. I had already raised this question about Halloween costumes. One can also watch this video, quite striking:



Here we see a problem constructed quite differently. The issue of daily suffering of women is not rejected at the margins of society, its suburbs and ghettos or only to its own minorities, it is instead placed in his heart and in a broader spectrum of its activities. This is not to limit the activity of small groups misidentified and possibly imagined, but the question of collective responsibility overall. And especially it is not so much a piece of clothing that we gaze focuses on women and models, all models, they are given and imposed on them.

This sexualization of women and girls is any less strong in France and the United States for less that it mobilizes activists and politicians? Whenever I come across the videos of the great music channels or on any MTV show, every time I flip through a magazine or female that I see the covers of men's magazines every time I hear some of my conversations students, I can not help thinking that the problem is here, among us. And rather than trying to explain everything in Islam, it might be that we look at the image of women in all contexts.

And is it difficult to devise effective happenings on this topic then? Is it less backbone than the skirt? One can also doubt it when we see the suggestive power of this simple video.

But the contrast with what is happening in France is probably the most striking. We have "specialized" the issue of feminism to the suburbs and religion, and we are more often economic criticism of television, music, advertising - the recent revival of Sardou song, by an amazing miracle, he managed to make it even more sexist the original has not raised much commotion that it could have (had?). Maybe because we consider it for granted or too obvious. But even sexist behavior that they condemn loudly in the suburbs may have something to do with it. Tele-reality models provide devastating does not seem to raise more than protest it.

's all the misfortune that day of the skirt a little more shut the issue of women's liberation in a particular context. Without question there is a real problem in the stigmatization of women who wear skirts in some contexts, one may question the choice of such a happening that does not address the root and comes to overshadow, unfortunately, much of what could be the fight of women.

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We will then shut up, perfume purple heart of soul. Beautiful black eyes of a being of tea. At a table and chair thorny rope. Between walls with framed cold, rough as the plan together today. A grain here shale, tar is dried crumbs faceted, porous granules.
We will shut all doors open.
With over our brows lifted a roof of palm leaves us fresh breezes rippling in dutiful and austere. In tables
gaping between the dark walls, the world in his absence has painted blue and ocher varies according arcs incident to the cuts in hours and hours slender drooping. Some forests also expanded far and confabulations. And maybe sometimes stripped sketches where we can guess what lived there, which led us, and will we know which will survive.
No road goes to where we are. All traces confused by the invisible movement of layers of dust.
And finally our bloods together irreconcilable, boiling with so many crimes. Anxiety subsided.
Corps appeased the convict who has welcomed the sentence. From a laugh that shook him to aggravate the severity. In thinness who cares. That brings his bones in his isolation. That revives his gesture easements breathing. Who hangs up his neck to folding pensive. And puts a needle in his hands alone.
We will, therefore, as we meet again. Frail feathers fish growth-oriented, open to any boiled them to fill in space that is stretched. Also full well, destinies previous few chances ironic, charming expired a brave love, and a bewildered look, beyond all wounds, darted obstinately on the number and the figure for no solutions.
We will have to eat if we go back to driving force, wise fools of ignorance, then in hopes of recognizing our causes the yoke of song and word, useless birds in the air when sleep finally pacified the nightmares meaningful.
Everything here is so long, much longer than losing a signal from the galaxies. And all will be well along. Unbearably long. Death knows what a smile we must address. Sometimes we understand.
There will be no guards. We can escape. And after ... For what asylum. For what is missing and is not here or inlaid in the stone all around outside. For what a crowd. Who would forget that the fear. Everyone is there. The echoes are even better held and many more than in any electronic boxes. Whole course dissipate far back the banks. Ever frayed towards primordial forces of which haunts us blind and the other fails to solve our appearances and our disappearance. And rehearsals.
Purple Heart perfume core. Linen gas leaked frames studded with ant codified. To us the drunken transport boats tossed on which alarmed the pitching, arm themselves with armadas, which flow so many others.
But it's over to admire himself, microscopic target in the maze where braid screened the Gordian knot. One feature would suffice to nothing. Does not stress more. To become the stem horizon in the sky, from which hang rows of billions of forms. Choose where stifling chance. Weaver and stoic, to try to say something else is sleeping. And did just that.
Working at the grave on top of all that comes. Work the finger arrow who prefers hesitation. Work in spite of all vanity. Working speed to power reversed. Work the sand into the eyes that are silent. And only the instrument that one is oneself. Working behind the scenes and confusion of the scene. At the risk of escape of the partition.
Fine black eyes of a being of tea. Drink water tinged with a body at night. Nowhere we met. But there together within these walls where the desire replaces the stomach. Echanson steward of the beat. In a ceremony in discrete steps. Quelqu'après twelve o'clock and sat against the light in a frame.
My little bit of me in flesh just another beat. My other thought that I fled. Me and my silence returns. My other finally reduced to only service of my thirst. And counting of the product which I must pay money without knowing a random ridiculous privilege.
We will shut it.
Anyone or anything. Final. Without recourse.
Because it does not kill.
Almost everything else is possible.
Almost.
But not kill.
it is better to withdraw then.
Walk down the gold and artificial winds. Just a laugh
infant in the iron bowl. And
clear sorrows in a pitcher of land.
Remove any misfortune in the reflection loaded additions usurped, hairstyles ash, injuries borrowing, attractions and hatreds stolen.
If it simply be that more is already in order, distant wisp black laminated mouth open at all feedings, cage bent gift of nature, old timer, fortune mud, and that there is sort of what is present. Let
shelter happy. A treasure map of ancient fantasies. Tales unlivable. I told a workshop there too long. Time to remove unnecessary altars, idols grimacing, vases effusion, copy machines, credit intimate conferences, and all these bits of marble, metal, glass, absently exhumed statues hinges reserved or order ringfenced, notoriety obedient.
Variation on a theme.
Finally, filial Similarly, a wire undeniable, and though one considers the amount staked in terms of fronts and trips sunny, well here it is dragging something true. That was not there at the very beginning. Who managed to live so all that was there before. And maybe we exceeded. And do we know what he would do if we could catch up with better future as written in the letters that both were able to write all gods and less.
We have plenty of that evidence.
Not that any, one or more.
But we do have more need. Neither
that. Neither
evidence.

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To whet your mouth!

Here, to whet the palate for participants who have not yet received their share of beads as well as potential buyers a preview of the kit common!

This time, as the project proceeds to the holidays approach, the beads were selected on the theme "we celebrate!" .

Have fun and above all fun!

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Monday, December 13, 2010

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Movers Are free (and they all included)? Blogs

Some time ago, Special Envoy ran a report devoted to "free movers" ( can still see here ). Kezako? I confess to have learned myself looking thing. The free movers, these are students that go to study abroad, outside the framework of the exchange University Erasmus-style. Let us look at the course to see what they tell us to globalization.

In "free movers", there is free. Besides that this is the name of a company well known for its timescale and advertisements that are not less, this term means, I do not teach my readers, "free". Our students are therefore free to move as they place themselves outside the constraints of academic exchange. The phrase alone concentrate much of the classic presentation of international mobility: going abroad, it would be proof of freedom, it would courageously take a much better opportunity to be present across borders, it would accomplish, in a word, freedom.

Finally, if you are Western, wealthy and, as far as possible, white. If you are Latino or African or Chinese or whatever, go abroad, it is not that at all, it is the result of an immeasurable weight restrictions on your frail shoulders - the weight of poverty or that of the totalitarian state - is an attempt to more or less creeping invasion.

The story of "Special Envoy" borrowed, as might be expected, much to the first presentation, héroïsée rather, of international migrations. Even if they were facing "bottlenecks" of French society, whether the requirement to pass the difficult test to enter the preparatory class at a business school or a numerus clausus far too low for the Medical Profession , followed by student journalists were touted as innovators who cleverly found a new solution. The idea of freedom of movement is everywhere: the world awaits you, for daring to enjoy it.

This is particularly visible in the beginning of the story where we follow the footsteps of a young Bachelor quite happy to integrate HEC Montreal. Journalists filming and taking on board and that of their audience, the different emotions: OHLALA, we have computers, we would not do that in France, OHLALA, there are courses where one is not 500 in the Amphi is impossible in France, oh my god, you can participate in associations in the school and is valued by employers, you can imagine that in France, of course not, the French, ahahah ... Sometimes, I confess, I would like some journalists do the job for which they are paid. Because the French business schools, very expensive, moreover, offer computer equipment for their students and receive funding from business, organize courses for small groups and encourage more strongly that their students participate in associations and all the stuff. This last point is even in the heart of the pedagogical strategy of HEC Paris ( see this excellent article from someone who has bothered to set foot ).

It is almost inevitable, since The Guardian has launched fashion with an article on the French landing in the UK mass , that the whole issue becoming expatriates, one way or another, a stinging comparison between France and the Anglo-Saxon. This demonstrates at least one important point: we place today in France, much legitimacy that comes from abroad, following the principle that the grass is always more tense. In itself, nothing new under the sun: it was as a child where the aristocracy went to great travel throughout Europe, especially Italy, for further training of a gentleman. Current practice still if we are to believe Michel Nip-Nip and Monique Charlot or Anne Catherine Wagner . This point suggests a research question: we know that the movement globalization itself is old (it can be traced back to the nineteenth century at least, some authors even going further in the past), what about the practices that we see today as news? I speak without a doubt next time.

The first departure is described by the report in its logic value paid to the experience abroad. Even if, as the report rightly points out, there may be some difficulties in return, HEC Montréal alumni who may not have the same opportunities as those of HEC Paris (though he was also good to compare with smaller business schools), they have a fulcrum to transform their journey success story. Faced with an employer, rather than explaining that they had fled two years of preparatory classes, they will try to advance their knowledge from abroad, coping skills, etc.. already valued by their partner.

Rest the other two routes taken: that of a veterinary student and that of a medical student (and a few other of his cronies), the first in Belgium, the second in Romania. Both are parties to circumvent the numerus clausus, the limitation of registrants in their respective disciplines, capitalizing on the equivalence of diplomas in Europe. It is amazing how these "free movers" have little freedom. Because for one as the other raises the same problem: the return to France. It's the same elsewhere for the girl enrolled at HEC Montreal for whom the issue of return arises even then it is just beginning his studies.

We must ask ourselves this question: What are incurred in these "free movers"? What type of career? If one considers the veterinarian or doctor, the answer is relatively simple: Both of them are engaged in Careers French. Although being a part of their studies abroad, their progress is guided by a French horizon. Stay in Romania? It is difficult to envisage. Should agree to be away from his family and loved ones. It should also accept living conditions and remuneration Romanian. It should finally acculturate regarding ways to Romanian. None of this is impossible, but these are all obstacles to full freedom of our "free movers". It is notable that in the video, we see the French who, in Romania, especially to attend them. As they plan to leave relatively short term, they did not seek to forge some links with the Romanians, they did not seek to integrate into this country. They are therefore free to leave, but only to France. This is because they never really left this country. And more so that the large number of French students pursuing this strategy allows them to move in a "French community" relatively homogeneous.

What then describe the course "free movers"? Certainly not a shrinking world where people would become more free to move as would some presentations of globalization. Yet minus the great saga of a few adventurers left to seek his fortune across the seas. More simply, one can see many uses detailed and limited departure abroad. And to be linked, each in its own way, what is happening in France: whether by the legitimacy granted to the "global" and "Global" or the institutionalization of certain practices - let the French doctors go to training in Romania is never a means to privatize quietly studies medicine without having to call into question the French institutions.

So there is a contradiction in the term chosen to denote these students. On the one hand, mobility is not that big. On the other hand, if indeed they are placed outside the traditional academic exchange, their paths can indeed be guided by considerations and national institutions, they remain so for "French abroad" without intent to settle permanently. Without doubt they are closer to the figure of the tourist, who comes from today to tomorrow, than that of the foreigner who comes today and will resume tomorrow for a formula of Simmel. And if the tourists were the central figure of globalization?

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2. Giallo

After a long absence, VIDEOTOPSY reborn from its ashes.
We will not clap along pamphlet lack of time, but just a few posters
alternative
various countries of well-known movies,
in any case, fans of the genre. Take advantage
for you to make new and beautiful cover art for your DVD

and amaze your friends. Click

on the image to enlarge
Click for larger size

(2 067px 926px × 2)
The Thing
Carpenter
-Vu by the Japanese.

(694px × 018px 1)

From Beyond the gates of the afterlife of Brian Yuzna

Post-Iberian

(1 934px 923px × 2)
Scanners
David Cronenberg
Poster pre-production

(1 774px 500px × 2)
They Live (1988) Invasion Los Angeles

John Carpenter
Poster English

(655px × 956px)

Terminator James Cameron
Post
Lebanon
(1 961px 898px × 2)
Death Race 2000
The Race to the Death of the Year 2000
or Lords of the Route of Paul Bartel

The displays Turkish
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Japan or above

(2 853px 392px × 4)
Critters
of Stephen Herek

Crazies (1973)
The Crazies
Experiment 2000 (Video France)
of George A. Romero
Post

Italian (1 199px 600px × 1)
Inseminoid (1981)
of Norman J. Warren
Post-Frenchie

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Post Alternative U.S.

(420px × 800px)

That House By The Cemetery (1981)
House by the Cemetery
La maison près du Cimetière de
Lucio Fulci
Jaquetta vidéo GB

(1 232px × 676px 1)
Warning Sign (1985)
Contact mortel
de Hal Barwood
-Affiche Française

Macabro (1980)
Macabre
de Lamberto Bava
Jaquette GB video
I already posted another jacket on this one
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Posters from Alternative 1.